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Archive for April, 2010

Practice makes perfect and the extra rehearsal time since Wednesday proved most positive to the last item in the first cycle of the Deutsche Oper’s Ring. Although the Gibichungen scene in act I had its longueurs (always a tricky scene for the conductor), this evening’s performance had everything a Wagnerian should expect: the orchestral sound [...]

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Third time lucky – even if luck probably has little to do with that. The name of the trick is “more rehearsal time”, and the result is that Donald Runnicles could finally show his credentials in this cycle. The audience was treated to top class orchestral playing – strings zipped adeptly through passagework, brass offered [...]

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I do not know if the Deutsche Oper used the bad-news-first strategy, but it seems that their Ring has finally found the right track. Regardless of how intrinsically good today’s Walküre was, it is a significant improvement from yesterday’s Rheingold. To start with, Götz Friedrich’s production here is far more efficient than in the tetralogy’s [...]

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After the Wagner Wochen, I have to confess my expectations about the Deutsche Oper Ring have been kept low. This is probably why I am not terribly upset by the frankly unsatisfactory Rheingold presented today as I was when I left the theatre after that dreadful Lohengrin. To start with, Götz Friedrich’s 1984 production belongs [...]

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Berlioz’s Les Troyens is one of the largest-scale operas in the repertoire – it has five acts, two parts with only one large role in common, not to mention it requires a large orchestra, large-voiced soloists and grandiose settings. The change of mood between the Trojan and the Carthaginian settings is particularly tricky for conductor [...]

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I like Kiri Te Kanawa.  Those who do not say she lacks substance – for me, she embodies the ideal of spontaneous art, the beauty of which has nothing calculated and convinces in its sheer artlessness. She also embodies an ideal of Mozartian and Straussian operatic performance who involves not only exquisite tonal quality and [...]

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The Staatsoper Unter den Linden’s Festtage is one of the world’s most puzzling festivals in the world – basically you are offered the same operatic productions showed during the year with more or less the same casts, but with a far more expensive ticket price. One could say that this is an opportunity to see [...]

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