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Archive for October, 2010

How local should be the staging of an opera? This is the question director Roland Schwab must have posed himself when the Deutsche Oper asked him for a new production of Mozart’s Don Giovanni. This is an opera named after one of the characters and although this generally means that this is the main character, [...]

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Although Guy Cassiers’s Ring for La Scala/Deutsche Staatsoper is supposed to be a “ring of the ‘now’”, you would need a crystal ball to discover that, whereas Claus Guth’s Ring for the Hamburg Staatsoper definitely seems to address contemporary issues. I write “seems to”, for the new production of Götterdämmerung is the only one in [...]

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As the optimistic person that I am, I have decided to give the Cassiers/Barenboim Rheingold a second chance; maybe last time at La Scala was just a collective bad day and I was curious about the new pieces of casting. In an impossibly positive scenario, Cassiers could have rethought his concept after the unanimous dislike [...]

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Missing and Wanted 2

I would be extremely grateful for any information concerning the whereabouts of any copy of Klemperer’s old, old, old recording of Così Fan Tutte with Margaret Price and Yvonne Minton [of course...].

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I have nothing new to add to the discussion about the Met’s new Ring, but in any case I would like to join the general opinion about it, based on what I could see on the movie theatre. Has the Met spent its millions wisely? I would say no – Robert Lepage’s machine cannot help [...]

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R. Strauss’s “bucolic tragedy” Daphne, written during the Second World War, has seldom been staged and, although some might blame the static libretto with its complex transformation scene at the end, I would rather mention the extremely difficult vocal parts and virtuosic writing for the orchestra. In any case, it is still a challenging story [...]

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The Deutsche Oper’s concert performances of Cilea’s Adriana Lecouvreur (probably together with the Staatsoper’s upcoming Walküre with Irène Théorin and René Pape) are seen as the operatic event of this season. Although Cilea is hardly a “superstar” composer, what he might miss in “coolness” has been provided by the casting of Angela Gheorghiu and Jonas [...]

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