The Deutsche Oper’s present Carmen is the refurbishment of Pier Luigi Samaritani’s 1979 production re-directed by Soeren Schuhmacher. It is a traditional, not really imaginative but not unpleasant staging, which has its moments of restricted budget, such as the invisible parade of a bullfighting team which should show up on stage (as shown here, only Escamillo and two other guys appear to the audience). Being traditional, however, is not the problem here: the moments when something “new” was tried were precisely the most disappointing, unfortunately concentrated on the last act, when Frasquita and Mercedes appear as black-clad angels and Carmen is shown in an extremely unbecoming and unexplainable bullfighter outfit.
Fortunately, the bad news are restricted to the stage – Yves Abel’s vital, energetic and theatrical conducting kept excitement at high levels throughout. The Deutsche Oper responded with animation and precision. To some extent, the orchestra would remain the most expressive soloist on stage. In the title role, Kate Aldrich has a fruity, seductive mezzo soprano with reserves of chest resonance that resented loud dynamics though. At the end of the Lilas Pastia scene, her appealing tone sounded bleached and even rasping sometimes. The single intermission proved healthy, for she could regain tonal quality for the final scene. She has the physique du rôle and, although her seduction looks a bit calculated, it does also look effective. Nicole Cabell’s velvety soprano lacks carrying power and her breath could be more generous, but the voice is extremely charming and she phrases with good taste and sensitiveness. Although no-one in the cast has really idiomatic French, hers came closer to the mark. Tenor Massimo Giordano also has a most appealing tone, but his whole method was too Italianate to this role and the amount of scooping and uncertain intonation was a bit dangerous. He must be praised for his attempt of producing mezza voce in the end of his aria, but things did not work really smoothly there. Most unfortunately was the fact that the usually reliable Stephen Bronk was in very poor voice as Escamillo – and he looks quite older than the role. Minor roles could be better cast too.